Music community frets about life without Southgate House
Joe Simon for Metromix
Southgate House will end its run as a bar/concert venue for local, regional and national acts on December 31, 2011.
Written by
Lauren Bishop
Patrons have their choice of entertainment options on almost any given night at the Southgate House, the music club housed in an early 19th-century mansion on Third Street in Newport.
They can step into Juney's Lounge to the left of the main entrance, pull up a stool at the bar and listen to a local folk or bluegrass band for free. They can walk upstairs to the Parlour and hear an up-and-coming punk band on tour. They can walk into the 600-capacity ballroom in the back of the house to see a national act, shoulder to shoulder with other fans on the floor or from a seat in the horseshoe-shaped balcony.
Some nights, they can take in an art show on the top floor. Or they can just relax with a drink on the brick front porch, people-watch at Newport on the Levee across the street and take in the view of the Ohio River and the Cincinnati skyline.
That's how it's been at the Southgate House for years. And that's how, after Dec. 31, it likely will be no longer.
A family feud that turned into an ugly legal battle led to the announcement earlier this week that the last event there under the operation of longtime owner Ross Raleigh would be New Year's Eve. Raleigh plans to relocate his business, and his sister, Armina Lee, and her husband, Roger Petersen - who acquired Raleigh's share of the property in a legal settlement - said they plan to renovate and either lease or sell the building. But they want it to remain a music venue, if with a different musical focus.
But whatever Raleigh and Lee decide to do, Southgate House just won't be the same, said local musicians, music fans and former Southgate House employees. And neither will the local music scene.
"You can't replace that place," said Chris Schadler of Northside, the Southgate House's in-house promoter from 1995 to 2008. "A band can go anywhere and do a show and make that place cool, but the Southgate House was a step above that. That place is unique and everybody knows it."
In the short term, the Southgate House's closing means that the bands that were booked there into the spring must find other places to perform. John and Brenda Madden, who run West Chester Township-based JBM Promotions, have booked shows there for 17years. They already have rescheduled acts such as the Old 97's for the 20th Century Theatre in Oakley on Jan. 30 and Mike Doughty for the Redmoor in Mount Lookout on Feb. 19. They're trying to find local venues for several other acts.
The long-term impact of the Southgate House's closing is harder to predict. But it's clear that it would take time and dedication to develop a venue as beloved by fans and bands as the Southgate House, which was named one of the top 40 music clubs in the country by independent music magazine Paste in 2007.
Schadler was the one who, in 1995, dreamed up the Southgate House's eclectic, experimental business model with the blessing of Ross Raleigh, and his daughter, Morrella Raleigh, a childhood friend of Schadler's. Before that, it was a neighborhood bar that hosted wedding receptions and occasional concerts, he said.
Schadler estimated that he spent 60 hours a week at the Southgate House between 1995 and 2006, booking shows, building the sound booth in the ballroom, fixing the roof and sometimes even sleeping there. He and the Southgate House's small but devoted staff nurtured local musicians and put on whole-house events like Art Attacks and the Lite Brite Film Test that blended musical performances and visual arts.
"Anybody who had an idea to do a show, an original show, was greeted with open arms as long as it wasn't completely horrible," he said. "We had great sound production that we provided. We did a lot of really good in-house marketing. The whole ethos was, make it as easy as possible for people with good ideas to be able to implement their plan."
And bands appreciated it. Local rock trio Knife the Symphony posted a note on its website this week that read in part: "From the sound guys, the bartenders and the staff (past and present), they have endured countless hours of artists perfecting their craft, night after night. That is what separates the (Southgate House) from any other venue. They didn't cater to a particular crowd, scene or style of music, which often is the death of so many venues....that is why it has stood the test of time."
Joe Simon for Metromix
Evan Butler and Stacey Kesling of Dayton, Ohio, wait for the next band to set up and play in the Parlour - one of the smaller performance spaces at Southgate House.
The Southgate House staff also cultivated relationships with music agents from around the country until the venue became a destination for touring acts that were routed through Cincinnati and could draw audiences of 200-600 people, Schadler said.
The intimate access that the Southgate House provided to burgeoning acts like Arcade Fire, the Black Keys and the White Stripes before they became Grammy Award winners made the Southgate House a regional draw, said former Southgate House promoter Dan McCabe, the director of the MidPoint Music Festival and the marketing promotions manager for CityBeat. McCabe said easily half of advance tickets sales from sold-out shows came from outside of Greater Cincinnati and Northern Kentucky, from cities such as Louisville, Lexington and Indianapolis.
Schadler and McCabe, now both in their 40s, have carried many of those ideas to MOTR Pub, the bar, restaurant and 150-capacity music club in Over-the-Rhine that they co-own. It's one of several venues - along with the Northside Tavern, the Comet and Mayday in Northside; the 20th Century Theatre in Oakley and the Madison Theater in Covington - that book the kind of pioneering acts that Southgate sought.
But none of those venues by themselves can make up for the loss of the Southgate and be as much of a regional draw, McCabe said. Some acts may skip this market in the Southgate House's absence, but McCabe believes the area can make up for it.
"In a couple of years, there will be that void filled, where music fans again have access to these artists that may be passing us by for a few years," he said. "But it's going to take more than just one room to fill the void. It's going to take a street, a neighborhood, to fill what ... the Southgate House was."
“Speaking as someone who plays and enjoys original music, it’s going to be felt,” said former Afghan Whigs bassist and Ultrasuede Studios owner John Curley, who now plays in a band called Fists of Love with Schadler. Curley even had his wedding reception there in 1993, when he and the Afghan Whigs played some of the songs from their breakthrough album “Gentlemen” live for the first time.
“It’s not like we can lose a venue and it won’t have an impact. What impact that’s going to have is hard to say,” Curley said. “The emotional impact will be great among a lot of people who go to see shows there and have been playing there a long time.”
It will also be difficult, if not impossible, to match the Southgate House's historic ambience, some local music fans believe.
"I've been to many, many venues across the country, and hands down it's one of the top venues in the nation for atmosphere," said tour manager and publicist René Dean of Clifton, better known as Venomous Valdez, her alias from her days as a DJ at WAIF-FM and WEBN-FM. Three days after hearing the news of the closing, she said she still feels like a part of her is dying.
"You feel welcome there," said Nate Rosing of Edgewood, a music blogger who runs the 10-year-old Cincypunk Fest, held at the Southgate House since 2008. A regular patron since 2004, the 30-year-old Rosing said the place has become like a second home to him and that staffers have become like family.
"It's still hard knowing there's not much time left to make some more memories in a building like that," he said.
And some wonder whether the Southgate House will survive what its owners say will be a temporary closing. Dean noted that famed Corryville music club and laundry facility Sudsy Malone's hasn't come back after several attempts at reopening.
"It nurtured a scene for 30 years," she said of the Southgate House. "You can feel that vibe when you ascend those steps and walk in the porch and go in. That house has something special about it, and very few venues can survive a pause like that."
She hopes that pause won't be long, and that future promoters will have the same experimental ethic.
"That grand old house of music has to stay open," she said. "And I will lead an army to make sure that happens."
http://news.cincinnati.com/article/20111...112030307/