GGniner Wrote:OUGwave Wrote:Interesting. It appears that your position is that the movie is propaganda and you think thats a damn good thing and we need more of it.
Interesting.
It is rare that a free-man asks to be propagandized.
are you always this dumb? everything that comes out of hollywood has a message, somehow I bet you like Syriana and "an inconvient truth"
They are making the villians in upcoming blockbuster films environmental related for crying out loud. During WW2 we didn't have loons like this running that place and they produced great films that rallied the nation like Casablanca.
I'm sure you would take issue with anti-nazi films from WW2 era the same way you are with the islamo-nazi's /sarc
Paul Haagis, won 2 Oscars for Crash last year exposed a well known agenda while quoting in his speech from Marxist playwright, Bertolt Brecht:
Quote:"Art is not a mirror held up to society, it is a hammer by which to shape it."~Brecht
This echos Lenin:
Quote:"Of all the arts, for us cinema is the most important." ~Lenin
I think art should reflect everything thats really Good and True about the world, in 300 they do a decent job in showing parts of that and most importantly the need to stand up to an imperalist threat like Xeres was then, if you want to connect the dots to the modern imperalist(iran, islamofascim) then fine.
Whether something is propaganda or not is more than whether it is one sided, or that it has a political intent.
Here is the fundamental test:
Does the art prompt you to ask questions? Does it inject doubt and force you to reason with the world around you?
If so, than it isn't propaganda.
Many people thought 1984, by Orwell, was propaganda. Conservative elites see it as a satire of them, as a liberal attempt to say that they are totalitarians. Even today, conservatives see it (and V for Vendetta, the graphic novel for which is loosely based on it), as an attack on them. Funnily enough though, communist governments banned it. It was a ray of hope to people behind the Iron curtain. To them it wasn't a leftist book, it was a book that reflected the reality of communism - it was something that LIBERATED them from propaganda. The fact is, the book wasn't propaganda for the right or left. Orwell deliberately leaves out indicating whether or not Oceania is a far right regime or a far left regime. He didn't want either side in the ideological battles of his time to take comfort in it. That is Orwell's genius. For him, quite rightly, totalitarianism is the one point at which the far right and far left converge. At some point, all ideology leads to tyranny -- that is its nature.
The problem is, your agenda doesn't want people to ask questions -- it wants to the art to produce a result that makes the asking of the question itself an illegitimate act. In your mind that questioning both reflects and causes a weakness, rather than helping us see a different side of things -- something that can make us stronger.
Where both communism and right-wingers converge is on that point -- the idea that questioning is necessarily subversive and threatening. Its quite interesting.
Whats also funny is that you see the movie as an allegory for modern times. Islam is obviously the imperialist, corrupt Xerxes; the West is the small Spartan city-state holding out for its freedom and self-determination. Yet people in most non-Western countries would probably see the reverse in that movie. Who is right? Probably both.
The great thing about the film is that it ISN'T propaganda because it leaves that question open to those who are open to seeing it.